I saw this film at the BFI Film Festival in London last October and I couldn't get this film out of my mind. I finally had the chance to get the DVD and I watched it again and I fell in love with it again.
The story is quite simple: girl meets boy. They fall in love. Girl violates her student visa and can't go back to the USA where her loved one lives. So they have a problem the size of the Atlantic ocean.
How can they make their relationship work when Anna is in the UK and Jacob in the USA? Is their love strong enough? And even more importantly, is it worth it all?
Felicity Jones is superb as Anna who makes a mistake and has to pay for it the hardest way possible. Anton Yelchin shows that he is capable of showing emotion and can hold his own in a film. Together they make a very real couple on screen and it's easy to relate to the pain they are feeling when Anna is deported back the UK. They improvised most of their dialogue and that makes their relationship seem real, you have the awkward first date and the casual conversations, notthing fancy really. Just moments together, little things.
After the screening in London, there was a Q&A with the director Drake Doremus and Felicity Jones. The director asked us how many of us thought Anna and Jacob would stay together after everything that happened and how the film ended. I recall that about 50 % thought they would stay together and 50% thought they would break up. I was in the group who didn't think they could make it, because the shower scene in the end was very revealing, emotionally. I believe that at some point Anna and Jacob didn't fight to be together, they fought for the idea of them being together, because it was denied from them and they had fought for it for so long, they couldn't give up now. Just, at some point, they didn't need to be together, they didn't need each other, like they used to. They had grown apart, but now that they were allowed to be together, how could they give it up, after all this time and all this effort and longing? That was the thing that impressed me the most, the feelings that were there, the emotion. There was so much under the surface and it gave this film depth and heart.
Drake Doremus made all the right choices with this film. Cast two relatively unknown actors so the audience can relate to the characters. Cast one rising star (Jennifer Lawrence, superb as well) to create competition between the two women in Jacob's life. Shoot the film with a regular camera to make it seem more like a really well made homevideo instead of a big movie. Use the best indie songs for your soundtrack. Have the cast improvise their dialogue to have those awkward, but yet so sweet moments. Mix well and serve right away and ta-dah! You have yourself a festival hit!
The film is a bit naïve and starts lagging a bit in the middle and you start to feel that you need something happening, now! But it picks up very quickly and manages to stay interesting enough to the end. Anna's character is also a bit stupid. Or maybe not stupid. But you can't help but to wonder, why on Earth would she violate her visa when she knew better? But maybe it can be blamed on her youth. She was young and in love, is it reason enough to make bad decisions that affect other people too?
I hate rom-coms and romantic dramas because I feel that they are often stupid and I can't find anything relatable in them. But I didn't want this film to end and I want to watch it again after seeing it twice now. Yes, it is a bit naïve and makes everything seem a bit sugarcoated, but the cast make also seem real and relatable. We all have had those little moments when falling in love and then we've had those horrible arguments. And it really helps that Anna isn't played by Katherine Heigl.
torstai 16. elokuuta 2012
The Art Of Getting By
When on Earth did the little boy from Finding Neverland and Charlie and The Chocolate Factory grow up? When did he get so... tall? I'm talking about Freddie Highmore of course, who plays George Zinavoy in this film. George is a master of just going through life without doing anything. He's just waiting for his life to be over, because what's the point? He's not depressed, he's just not interested.
Until he meets a girl, Sally (Emma Roberts, who's quickly becoming the new Ellen Page). Sally introduces George to a life he didn't knew existed, where things are fun and light and where he isn't as irrelevant as he seems to think he is. And to top it all off, he finds a mentor, Dustin (Michael Angarano) who helps him with his art and with his feelings for Sally.
This isn't a perfect movie. There are a lot of flaws, but there is something at the core that makes this film really special. It feels kind of of real, without being too raw and depressing. It makes you remember how it felt to feel irrelevant to the world and how the things that should have mattered to you, didn't. As a teen, you are utterly lost in this world and we really get a good sense of it, without the film becoming too sad or wallowing in the drama of it all.
But as I said, it isn't a perfect film. I was excited when I learned Michael Angarano was in this film but I was very disappointed in his character. Dustin could have been a very rich, very influential character, but ended up being rather dull and meaningless. If they made him more important to George, more of a mentor who gave him guidance and advice, his relationship with Sally would have felt more like a betrayal than it did now. If Dustin had a bigger role in George's life and in this film, the betrayal would have felt worse, because George would have been betrayed by the girl he loves without actually knowing it and the guy he hopes to become one day.
Emma Roberts is quickly becoming the new teen-indie-queen. And I'm actually growing more and more in love with her. She can portray such raw and real emotion without being melodramatic which is rare these days. She is stunningly beautiful but in a very familiar way, we don't see a Hollywood superstar, we see the girl next door. Freddie Highmore is surprisingly good, but sometimes I wished for him to show more emotion or at least a few more facial expressions. But all in all, the cast is good.
I do have to say one more thing. I loved the ending. It was sweet and lovable, without being sadly clichéd. It was a happy ending, not a sappy ending. That said, this is a little gem of a film. It's not perfect, it's not directed by James Cameron or Christopher Nolan, but it's sweet and it's the perfect thing to remind you how it felt to be young and lost and finding your way out of it.
Until he meets a girl, Sally (Emma Roberts, who's quickly becoming the new Ellen Page). Sally introduces George to a life he didn't knew existed, where things are fun and light and where he isn't as irrelevant as he seems to think he is. And to top it all off, he finds a mentor, Dustin (Michael Angarano) who helps him with his art and with his feelings for Sally.
This isn't a perfect movie. There are a lot of flaws, but there is something at the core that makes this film really special. It feels kind of of real, without being too raw and depressing. It makes you remember how it felt to feel irrelevant to the world and how the things that should have mattered to you, didn't. As a teen, you are utterly lost in this world and we really get a good sense of it, without the film becoming too sad or wallowing in the drama of it all.
But as I said, it isn't a perfect film. I was excited when I learned Michael Angarano was in this film but I was very disappointed in his character. Dustin could have been a very rich, very influential character, but ended up being rather dull and meaningless. If they made him more important to George, more of a mentor who gave him guidance and advice, his relationship with Sally would have felt more like a betrayal than it did now. If Dustin had a bigger role in George's life and in this film, the betrayal would have felt worse, because George would have been betrayed by the girl he loves without actually knowing it and the guy he hopes to become one day.
Emma Roberts is quickly becoming the new teen-indie-queen. And I'm actually growing more and more in love with her. She can portray such raw and real emotion without being melodramatic which is rare these days. She is stunningly beautiful but in a very familiar way, we don't see a Hollywood superstar, we see the girl next door. Freddie Highmore is surprisingly good, but sometimes I wished for him to show more emotion or at least a few more facial expressions. But all in all, the cast is good.
I do have to say one more thing. I loved the ending. It was sweet and lovable, without being sadly clichéd. It was a happy ending, not a sappy ending. That said, this is a little gem of a film. It's not perfect, it's not directed by James Cameron or Christopher Nolan, but it's sweet and it's the perfect thing to remind you how it felt to be young and lost and finding your way out of it.
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